Tuesday, November 25, 2014

Yan’s Chinese/晏記川湘菜食館, Review by Isabel Lai

533 S. Kimbrough Ave.
Springfield, MO 65806

This restaurant is the most authentic Chinese food in Springfield, MO. A little side note about Chinese food from resident expert in Chinese geography and culture, my mother, Jackie Fu. The food in this restaurant does not represent “Chinese food”. China is a country that is really big, and this restaurant’s style comes from the provinces of Sichuan (四川) and Hunan (湖南) in southwest China, and therefore does not encompass all of China. Okay. Now, when I walked into this restaurant, I’ll admit, I didn’t have high hopes for the food. Adorned with Christmas lights (and that’s about it), the restaurant could use a makeover. Located near Missouri State University, Yan’s Chinese mostly caters to college students, so it probably doesn’t need to be too fancy, but if this restaurant was standalone, it wouldn’t make it, no matter how good the food was (and it was).
From the moment we walked in, the lady servicing the counter greeted us in Chinese. As we chatted, she reached for a subtle book of papers beside the register, despite there being a large board behind her displaying potential orders of cashew chicken and lo mien. And unwittingly, she fulfilled a dream that I hadn’t even known that I had. The papers were a “secret menu”. We’ve all heard of places that have a menu for the locals and a menu for the tourists. And I had unsuspectingly stumbled into such a place! But no worries. It’s not exclusive to the people who speak Chinese, and as long as you ask, you can get the “secret” menu for authentic Chinese food. While there, we ordered beef noodles (牛肉麵), a common tofu dish that you put on rice (麻婆豆腐), bok choy (青江菜), and an onion and beef dish (葱爆牛肉). They were all delicious, although a bit pricey. And beware! The dishes that are spicy are spicy, so make sure to specially request it without if you can’t handle the heat.

In conclusion,
Décor: :(
Food: :)
Culture: :D

★★★★☆
It’s like one of those niche restaurants you would find on a travel blog—obscure but 100% worth the visit. Don’t let the appearance fool you!

Boy Nobody: I am the Weapon by Allen Zadoff, Review by Isabel Lai

This book may not be my favorite, but its definitely up there. It reminded me a lot of another one of my favorite books, Proxy by Alexander London, in more ways than one, but especially in the ending. The love that I have for Allen Zadoff for writing a logical and well-thought main character is beyond words—one of the many great features of this young adult novel, including, but not limited to, a riveting plot, a fascinating moral dilemma, and a wicked sense of ironic humor.
People today have a ridiculous irrational fear that the government is out to get them. Pretty dumb, right? It’s not as if they have secret super-assassins to eliminate anyone, anywhere, for any reason. Don’t laugh. Meet Boy Nobody.  Recruited by The Program when he was 12, this teenager wouldn’t exactly be considered your average 16 year old. With his complete stoicism and perfect reflexes, he was practically born to be an assassin, becoming the new kid, dropping into people’s lives and eliminating his target before his “new best friend” even realizes that he disappeared. Now, he has a new assignment: take down the mayor of New York. Why? Just another mystery. His “new best friend”? His daughter Samara, a spunky and fiercely independent individual, that is perhaps more than she seems. Except this mission is different than the others. For the first time, Ben has made a friend. And maybe, this might be the first assignment that he fails.
Allen Zadoff has pulled off a masterpiece in character. The first book in The Unknown Assassin series, I’ll admit that I was highly skeptical when I took this off the shelf. It looked like your typical YA novel. Evil secret government organization. Love interest. And don’t get me started on “assassins”, or “super-soldiers”. Too often, assassin books go terribly wrong—the so-called “cold-blooded murder” that is promised by the blurb is actually a sappy romantic that avoids killing people at all costs and falls in love with everyone, a “special snowflake” assassin who nobly goes against the terrible system that they were forced into. Is it too much to ask for what we were promised? This is not the case with Boy Nobody: I am the Weapon. “Benjamin” (his alias in New York) is exactly what we were promised—completely logical and an accomplished fighter that we get to see in action. You might think that reading a book narrated by someone resembling a robot would be boring, but I found it refreshing. Everything Benjamin does makes perfect sense, and just because he’s a super-killer doesn’t mean that he doesn’t have his own sense of humor, which shines through all throughout the book.
With a fast-paced and unusual plot, amazing characters, the second best ending I’ve read in a book and a beautiful writing style, Boy Nobody: I am the Weapon will undoubtedly become one of the greatest books of this year. It’s got a deceptive blurb, but don’t be too quick to judge. You’re missing out on something great.

★★★★☆
Sounds cliché, but has genuinely unique characters and plot in a fast-paced action assassin book

Million Dollar Arm directed by Craig Gillespie, Review by Isabel Lai

If I had to describe this movie in one word, it would be “meh”; the director of Million Dollar Arm, Craig Gillespie, obviously worked very hard to put this production together. But, I feel like, despite its extraordinary story, the execution of the movie and the central themes that it focused on, were less than subpar, and became almost formulaic.
Million Dollar Arm starts in a dramatic fashion. No time wasted in fluffy introductions or vague mystery scenes, the first thing that viewers see is independent sports agent J.B. Bernstein (Jon Hamm) and his partner Ash Vasudevan (Aasif Mandvi) losing a huge deal with a major football star, Popo Vanuatu (Rey Maualuga). Desperate to save their failing business, J.B. and Ash wrack their brains for ideas, when, watching a game of cricket, they think of it. INDIA! The world’s largest untapped market, full of cricket bowlers ready to be converted into baseball pitchers. And, after approaching investor Will Chang (Tzi Ma), they start the newest most exciting reality contest in India, the Million Dollar Arm! The movie is essentially split into two parts. The first being when J.B. travels to India in an effort to find the fastest pitchers, and the second, where he returns home and struggles with balancing the responsibility of taking care of young contest winners Rinku Singh (Suraj Sharma) and Dinesh Patel (Madhur Mittal), along with their well-meaning translator Amit Rohan (Pitobash Tripathy), and keeping his business alive. The classic morals or money dilemma.
This story arc was exceptionally well executed, if a little dramatic. Looking at the conflict, the story of Rinku and Dinesh, was the most beautiful part of the movie. I love how the movie industry is looking out into other cultures and the fact that they didn’t cut out the “slice of life” portions. But, what keeps this from being a five star movie for me, other than the fact that it was too formulaic (I’ll discuss that later), is two things.
First, one huge dislike for me in this movie was the romantic interest of J.B. Bernstein, Brenda Fenwick (Lake Bell). All of the romance portions in the movie felt forced and interrupted the flow of the story for me. One minute I’d be absorbed in the story, hoping that the next kid would throw a good ball, and then the next I’d be abruptly jerked out of the world of the movie by some awkward flirting. It honestly didn’t work for me until near the very end, when she acts as a sort of mediator and a friend to Rinku and Dinesh.
Second, Chang, the evil investor. He was a completely flat character for me; the only motivation that the story gave to us for his actions were “he’s rich, he can do whatever he wants”, as if that’s supposed to satisfy us. Gillespie turned Chang into your typical evil corporate villain, appealing to the prejudice of the masses so we don’t question Chang’s motivations. Why did Chang do this? Answer: DUH, he’s rich, that automatically means he’s evil. Everybody has a reason for doing things and he felt like a plot device in the movie rather than an actual person.
All in all, Million Dollar Arm was a good movie. But it wasn’t much better than average. In fact, it was almost too average. Business goes down, converting some poor heathens into superstars, getting the girl, becoming rich, defeating the evil corporate mastermind, it’s your classic “underdog” story. And honestly? Overdone, and super dramatic. Instead of romanticising the heroics and the genius of J.B. Bernstein, maybe what Disney should have focused on was filming a stunning documentary about the very true story of two very extraordinary people.

★★★☆☆
“Meh.”

Monday, November 24, 2014

Big Hero 6 directed by Don Hall and Chris Williams, Review by Isabel Lai

This newest animated movie from Disney has been garnering a lot of attention recently, and for good reason. Directed by Don Hall and Chris Williams, this action comedy is set in the hybrid city of San Fransokyo and focuses on 14-year-old robotics genius Hiro Hamada (Ryan Potter) and his brother’s helping robot, Baymax (Scott Adsit). To defeat a mysterious masked foe that controls thousands of stolen microbots invented by Hiro, he, Baymax and a team of Hiro’s brother’s friends must team together to create a new superhero team, taking viewers on an explorative journey of a new hero in the making. And the animation is amazing!
With a riveting plot, a tragic villain and a colorful cast of characters, Big Hero 6 is arguably one of the best animated superhero movies that I’ve seen. My love of child prodigy characters is no secret, and Hiro is one of the greatest ones out there, building unique and brilliant robots alongside his older brother, Tadashi Hamada (Daniel Henney). Another great quality of the movie is the sibling relationship between Tadashi and Hiro as well as the recurring theme of the exploration of grief, but if there is one tiny complaint that I have, it would be that I wish that the movie had fleshed out the other characters more. I’d like to know the backstories of Gogo (Jamie Chung), Wasabi (Damon Wayans, Jr.) and Honey Lemon (Génesis Rodriguez) (Fred (T.J. Miller)was explored a little more than the others), but I understand why the developers did not, so the lack of backstory does not detract from the quality of the movie. Sometimes, like I found with Frozen, movies move too fast and lose the viewer, but Big Hero 6 keeps the pace down while still providing a beautiful story in a world of technological marvels. Pretty much everything about this movie, from the main plot, the side arcs, the characters, the humor, the setting and even the art was on point, making it a must-see movie for kids and adults alike.

★★★★★
A blend of storytelling, art and saving the day in one fantastic movie. Adorable!

Sherlock (Season 3), Review by Isabel Lai

After the heartbreaking end to “The Reichenbach Fall”, fans of Steven Moffat and Mark Gatiss’ popular adaptation of Sherlock Holmes, finally get three whole new episodes! Starring Benedict Cumberbatch as Sherlock Holmes and Martin Freeman as John Watson, Season 3 of Sherlock was certainly worth the wait.
It all starts in “The Empty Hearse”. Sherlock has been dead for two years now. But things are starting to bubble. Detective-Inspector Greg Lestrade (Rupert Graves) is trying to desperately convince a delusional Anderson (Jonathan Aris) that Sherlock is 100% dead. Mycroft is suspicious. And John is ready to propose to his soon-to-be fiancée Mary Morstan (Amanda Abbington). In a hilarious reveal, Sherlock interrupts Watson’s fancy dinner to say “NOT DEAD!” In fact, the entire episode carries on in this fashion, from train bombs to mustaches. “The Sign of Three” was equally light. Depicting John and Mary’s wedding (and the times leading up to it), it explores the depth of the relationships in the show. The first two episodes are uncharacteristically funny. Too funny, almost. But, it was fitting, somehow, especially with the last episode, “His Last Vow”, being so heavy. A terrifying secret about Mary is revealed. An evil villain is introduced. It wouldn’t be incorrect to say that after a slow beginning, the game was finally on with the finale.
Although a great deal of the action and the suspenseful style that characterizes the first two seasons happens in the finale, you definitely shouldn’t skip the first two episodes! When I first watched them, I was a little...disappointed. But, after I thought about it, the first two episodes weren’t bad, they were just different, which is a feat, considering how many episodes the show has (nine). They really explored the characters of the show themselves, especially, the newest, and my favorite, Mary Morstan.
I love Mary. Mary is a beautiful character, who is equally brilliant as she is deadly. I won’t give away too much, but I will say that the writers of this show have taken Doyle’s work to the next level. They’ve certainly taken some creative liberties with Season 3, but in my opinion, the risk paid off. Overall A+ writing, acting and cinematography, as per the usual. Sherlock’s past seasons were phenomenal, and Season 3 was no exception, if a little unorthodox.

★★★★★
Very different from past seasons, but still worth the wait (almost)

World War I (USAUSAUSA)

The U.S., as a government, made a large effort to remain neutral when WWI started in 1914. Europe was a messy business, and, at the beginning of the war, Wilson did whatever he could to keep the U.S. and its people out of foreign affairs. But in 1917, when the U.S. decided to join the Allied forces in their battle against the Central Powers. There are three major reasons why the U.S. decided to mobilize their own troops after such an effort to remain neutral. First, the Zimmermann Note from Germany served to outrage the public, like the sinking of the U.S.S. Maine. Second, Germany had forgone their promise to stop using aggressive U-boat tactics, further enraging the U.S. Finally, sentiments were already with the Allies—the American public would hear about how Germany invaded Belgium and large companies were already financing the Allied cause, so all it took was Wilson giving a speech about democracy, or something to fire up the American people (like the aforementioned events) to tip the U.S. into WWI.
The Zimmermann Note was a telegram from Germany offering Mexico a military alliance. Germany promised Mexico the land that they lost if they joined Germany’s side. Great Britain intercepted this note and exposed it to the U.S., infuriating the American public and leading to America’s intervention. Mexico ignored the note and, after the U.S. joined the Allied forces, outright rejected it. Germany was like a child being caught doing something it wasn’t supposed to, and America was angry. This kind of this is a diplomatic disaster! If Angela Merkel sent Enrique Nieto a text saying “hey, man, will u fight america? ill give u back ur land”, the U.S. would have every right to be outraged (although they would probably suspect a prank more than anything)! Germany was snubbing the U.S. behind its back, and that was one half of the last straw that pushed the U.S. into war.
The other half was the resumption of all-out U-boat warfare on the British blockade. During the war, the British used their considerable naval power to essentially starve the German people with a blockade. When Germany tried to retaliate by brutally shooting down ships with U-boats, America told them that it was barbaric to kill innocent civilians and demanded that they stop. Germany, with no choice, agreed, but when the war reached a stalemate in early 1917, Berlin decided that the only way to win would be to resume, even knowing that it would anger the U.S. into joining the war. This is a huge event, and is what officially gave the U.S. a very good reason to join the war. Germany even knew that this would drag the U.S. into WWI, but they had hoped that they would be able to quickly crush the Allied forces before the U.S. could get properly mobilized.
Finally, public sentiment became so pronounced against the Central Powers (mostly Germany really) that the U.S. was practically at war already (in part because of the above incidents) in 1917. Originally, the public was very much in agreement with George Washington: Europe’s business should stay in Europe; we have no involvement in this war. But, if we have one weakness, it would be that Americans love the idea of spreading democracy. So in 1917, when Wilson petitioned to Congress, asking the U.S. to join the war to aid the crusade for freedom, well, who could disagree? Americans roared their approval, and the same people who jumped at the thought of war just three years before were ready to beat up some Germans.
Despite the government’s efforts to keep America neutral, ultimately, the U.S.’s emergence as a global player eventually forced America into the war. America, at this point, was becoming too prominent to stay neutral in a war. The emergence of the U.S. into world politics was inevitable with the rate of growth it was having, and WWI was an ample place to do it. Especially after Germany snuffed off the U.S. with the Zimmermann Note and the resumption of submarine warfare—if America wanted to be taken seriously, then it would have to show that these actions against it was unacceptable. If the U.S. wanted to tell Germany that it couldn’t use its blockade fighting strategies, if the U.S. wanted to be outraged at the invasion of Belgium, then the U.S. could not continue to ride on its high horse of neutrality. If America wanted to be an active part of the world, then they would have to start choosing sides—there’s only so much that one can do as a neutral. After all, when was the last time you thought about Sweden? That’s exactly what I thought. 

(Interesting side comment: Also, American soldiers didn’t really have an effect so much physically, more politically. And economically. Well, I mean, they did have a physical effect. But they also represented a mostly political impact from the U.S.)

Wednesday, November 05, 2014

For Glory! For God! And For More Money! : The Story of American Imperialism

Ah, imperialism. As the world powers saw the last of the world’s territory disappearing before their eyes at the turn of the 19th century, decided to implement the policy of imperialism (where countries expand their sphere of control over other countries/territories, in this case, militarily) even more fervently than before. Europe was going crazy with conquering! Africa was quickly gobbled up. Asia was turning into a punching bag. Island life was quickly becoming a terrible lifestyle decision.  But wait! Where does our favorite gun-toting, freedom-loving country play into this? It’s time for a spotlight! Obviously, American imperialism has always existed, especially with that whole Native American deal, but it really started kicking into high gear at the end of the 1800s. The U.S. (somewhat forcibly) opened up trade with Japan, bullied our way into Hawaii and other islands, and annexed the Philippines in the Pacific. We also started to interfere in our own hemisphere, building the Panama Canal, poking our noses around in Mexico,  and sparking the Spanish-American War in Cuba, helped along by yellow journalism. Basically, the U.S. joined the party and started to demonstrate empire-istic tendencies across the world, for various reasons.
    This brings us to today’s resolution: was imperialism a proper and legitimate policy for the United States to follow at the turn of the nineteenth century? This question is a bit difficult to answer. When you analyze the benefits and the harms of imperialism as a policy for the U.S., you have to look at both the economic/political side and the moral side and compare them, which is a bit like comparing apples and oranges. However, for reasons that will soon be clear, I ultimately would say that yes, imperialism was indeed a proper and legitimate policy for the U.S. circa 1900.
    Imperialism took off in the U.S. for a multitude of reasons, but the main benefits of imperialism as a policy was its use as a political, and to perhaps a lesser degree, an economic tool. So, the U.S. is still a new, baby nation. But it’s starting to become way more relevant. It’s gone through its own civil war, had its fair share of leaders and wars, and went through an obligatory “take over stuff” period. This period of time is a make-or-break point. The U.S. has become huge economically after its own Industrial Revolution. And now, well, this imperialism thing comes along, a bit like a hazing ceremony. Peer pressure. You going to be one of the cool kids? Or are you going to be a pack mule? You either get into the game or you get trampled. The documents provided for us doesn’t really give much information about this tension, about the global scene. There is one, that’s kind of close, but not really, from Alfred T. Mahan, a U.S. Navy officer in the late 1800s, who wrote in his book The Interest of America in Sea Power, “Americans must begin to look outward. The growing production of the country demands it. An increasing volume of public sentiment demands it. The position of the United States, between the two Old Worlds and the two great oceans, makes the same claim.”(Doc 2). Basically, he’s saying that the U.S. needs to function as an economic liaison between Asia and Europe, to take advantage of the opportunities that are being presented to us. Albert Beveridge, a Republican senator says about the same thing in a speech he gave to the U.S. Senate in 1900, “We will not abandon our opportunity in the Orient...the Pacific is the ocean of the commerce of the future...The power that rules the Pacific...is the power that rules the world.” Imperialism is a strong political and economic policy, and those that advocate for it have these things in mind.
This makes a perfect transition into the second part of the question, the “legitimate” side: morals. From a moral standpoint, imperialism does not stand. There’s no point in beating around the bush, because morals are subjective. Every single person will have a different opinion. And when I look at the evidence, the people that are supporting imperialism and argue a moral standpoint sound like they’re trying to justify it to themselves. These justifications come off as incredibly racist (“It seems to me that God, with infinite wisdom and skill, is training the Anglo-Saxon race”) and also inconsiderate to the native people (Doc 1,3,5,6). I’ll be honest, “We insist that the subjugation of any people is ‘criminal aggression’”, sounds about right to me. But, like I said, morals are subjective.
So, let’s zoom out. The world was teetering. The U.S. was in the perfect position to make its own global debut. That’s what imperialism allowed us to do. We showed the world that we meant business. Taking that opportunity turned us into a world power and the 20th century became America’s. Culturally, France has been the center of the world for the past 200 years, but with the end of the Post-Impressionistic Era, around 1900, art shifted to the new capital: New York City. Militarily, the U.S. played a huge role in both World Wars. Economically, we became a(n even bigger) powerhouse. Perhaps using imperialism was the best method to achieve this. Perhaps it was not, but it is undeniable that using imperialism led straight into the U.S.’s debut as a global power. So, was imperialism a proper and legitimate policy? It was certainly proper. It was a suitable policy to use at the time. But legitimate? Just? Maybe not. But ultimately, ethics are subjective. Maybe we actually believed that we were helping people. But, imperialism undeniably worked, and in face of this question, I believe that at the time, it was indeed suitable and legally justifiable, if not morally so.